每回到老人院當義工，都有新鮮的任務；這兒每一寸空間，都是許多老人家生命中的最後一站，每個做在他們身上的工作，無論直接的，間接的，我都有獨特的領受。
安靜的初秋下午，陽光從偌大的玻璃窗斜照著半個房間，粉綠色窗帘分往兩旁輕輕挽起，陽光透射下，滿室光影柔和，我把窗子往外推，秋風拂進，外面樹影婆娑，正和著鳥鳴窸窣幌動，是個難得的舒爽日子。
房間中央的睡床上，已脫除了床罩的厚乳膠床褥，給架起在床欄上，看來剛做完了初步清潔；我來到一壁長長的大木櫃前，櫃子中央有一個供擺設物件用的空間，躺著一個耶穌給釘在十架上的銅製聖像，旁邊立著一個有手肘般高的阿西西聖方濟的雕像，兩個聖像都因年日久遠而黝黑了，像跟隨著老人家多年的老朋友，安靜地在空洞的房間繼續守望著。
我把衣櫃門一扇一扇的打開，一陣衣物給儲存良久的氣息襲來，打開一個素未謀面的人的衣櫃，就好像在打開一個陌生人的私隱，房間雖空無一人，仍感老人存在的餘息，我放輕了手腳，打開了櫃子裡面的抽屜，
老婆婆的四季及日常內外衣物，都井然有序的分類掛放或疊放在不同的區隔裡。單憑這櫃子衣物，老婆婆雖未算富有，看來已是小康。老太太個子應較圓潤高大，各式老婦款式的大花呢絨冬衣，不同厚薄的出外用的外套及背心襯衣褲，碎花長睡袍，色調較青春的粉艷毛冷帽子襪子披風，或許是家中後輩給她添置的，所有外出才穿著的衣物，仍頗新淨，看來久未穿用。
我把擱著縫紉工具籃的床頭几輕輕推移到衣櫃前，順著衣櫃的間格，把衣服從衣架上逐一除下，翻來覆去，查找名字織嘜的位置， 用拆除線步的小鐵叉子一針一針地把線挑出來，織嘜當初都縫得很細緻，為了避免因過度用力而損壞了衣物，我要慢慢地一針一線小心地拆下來，這樣慢慢的，細細的卻又好像殘忍的移除的動作，就好像正在照顧著步向衰敗未來的老人一樣。
我把櫃子裡的衣物重新檢視一遍，看看是否有遺漏拆除織嘜的，因為不久之後，這些衣物，便會由院舍送給另一些有需要的老人家身上，以新的名字繼續行走世上，展開尚存者生命餘暉中的新體驗，為這些衣物賦予新意義。
走廊上，一個老婆婆正吃力地推著自己的輪椅在門前慢慢走過，問婆婆可要幫忙， 她點點頭，我把她的輪椅往走廊的深處慢慢推過去，剛才那人去樓空的房間，似乎對尚存活的老人心裡，已起不了任何漣漪了。
From a Name to Anonymous
I followed the wide corridor, directed by the supervisor's instructions, searching for the resident's room by her name and number.
Each time I volunteer at the care home, the tasks are new, yet the setting remains the same: this space, in its every corner, is the final physical destination for so many lives. Every action taken here, whether hands-on or administrative, offers me a unique and profound understanding of the path I, too, must journey.
It was a quiet early autumn afternoon. The sunlight streamed diagonally through the enormous window, bathing half the room in a gentle glow. The pastel-green curtains were softly draped to either side, filling the space with diffused light and shadow. I nudged the window open; a subtle autumn breeze entered, rustling the leaves outside in concert with the faint chirping of birds—a rare, refreshing moment.
On the bed in the room’s centre, the thick latex mattress, now stripped, was propped up on the rail, evidence of a recent preliminary clean. I approached a long wooden cabinet. In a small display niche at its heart, a bronze crucifix lay, alongside an elbow-high statue of St. Francis of Assisi. Both figures were blackened with age, silent witnesses who had followed the elderly woman for years, now keeping watch over an empty chamber.
I opened the wardrobe doors one by one. A stale scent of long-stored clothing escaped. To open a stranger's cabinet felt like breaching a private confidence. Though the room was empty, the residual presence of the woman lingered; I moved quietly, checking the drawers to confirm all the garments that required processing.
The elderly woman’s wardrobe—containing seasonal and daily inner and outer garments—was neatly ordered, everything either hung or stacked in precise sections. Judging by the contents alone, she had been a woman of comfortable, if not wealthy, means. She must have been quite large and robust; there were heavy, floral tweed winter coats, various thicknesses of jackets and vests suitable for special occasions, and long, sprigged nightgowns. Some of the brighter, perhaps more youthful, hats, socks, and wraps were likely added by younger relatives. All the outerwear was still quite new, having clearly not been used for a considerable time.
I thought of her move from her own home to the residence—a major upheaval. The family's effort in meticulously classifying her clothes, and so painstakingly sewing on those name labels, spoke volumes. Those tiny tags, no bigger than a fingertip, stitched securely into every garment, every scarf, every pair of socks, seemed to express the family’s complex grief and guilt: a quiet compensation for their difficult decision, communicated through needle and thread.
I gently moved the sewing basket from the bedside table and positioned it before the cabinet. Following the sections, I removed the clothes from their hangers, one after another, searching for the location of the name tag. Using the small iron seam ripper, I picked out the stitches. The tags had been sewn in with such fine, delicate care that I had to proceed slowly, thread by thread, to avoid damaging the fabric. This gradual, deliberate, yet almost cruel act of removal felt exactly like tending to an elderly person in the slow decline toward their inevitable end.
Holding the clothes she had once worn, I felt profoundly intimate with this woman I had never met, sensing her lingering warmth and presence, as if she were quietly recounting her life to me, a complete stranger. The heavier clothes, some clearly formal wear for festivals or banquets, were all in excellent condition, a testament to her careful stewardship. I imagined their shared history: the garments she chose herself, smiling in the mirror; those worn for major life events shared with loved ones, their memories lingering in her fading mind until her last moments.
It was the worn nightgowns and innerwear, likely subjected to countless institutional wash cycles, that were pilled and frayed. They spoke the truth of her final years—her daily uniform during her last phase of life, which must have lasted a considerable time. Each nightgown was intentionally slit down the back, no doubt to allow staff to assist with dressing and changing incontinence pads. She must have been immobile for years; the lovely outfits in her cabinet belonged no longer to the time ahead of her.
I carefully sought out the placement of the name label on every item, every sock, as though greeting her again: "I am so sorry, your name has vanished now. Thank you for allowing me this way to know you." The tip of the seam ripper traced the stitches, lifting the threads one by one, a meticulous, unhurried erasure, obliterating her name and identity, leaving no trace.
The silence was complete. The afternoon sun continued its slow descent, and the light grew faint. On the bedside table, the growing pile of detached name tags curled and stacked up like a small mound of ash after a long burning.
I went through the cabinet again, checking for any missed tags. Soon, the care home would pass these clothes on to other residents in need, where they would resume their journey under a new name, taking on new experiences in the twilight years of other surviving lives, and be granted new meaning.
I closed the wardrobe doors softly. As I stepped out, a young cleaning operative, hoisting a metal ladder and a bucket, walked in to prepare the room for the next incoming resident.
Clutching the mound of ash-like tags, I walked to the utility room, lifted the lid of the grey rubbish bin, and dropped the labels inside. I closed the lid. On earth, aside from a headstone, nothing of her identity remains. Perhaps, her true name and being are only now commencing at her true home.
In the corridor, an elderly woman laboriously pushed her own wheelchair past the door. I asked if she needed help; she nodded, and I pushed her slowly into the corridor's depths. The empty room I had just left, now ready for its next occupant, seemed to cause no ripple in the hearts of the other surviving residents.
黃昏，沿著港灣深處的林村河套往海濱一帶散步，沿路可欣遇三類生靈，帶給我無限嚮往。
白鷺擅於守候，靠水吃水，既無天氣及魚踪預告，飽餓無常，有時狂風暴雨，有時寒風凛凛，有時水流緩弱，三個和尚沒水吃；故此牠們都情願獨行，雖時會聚眾一處，但各自修行，不羨不妒，未見過為爭食而打鬥。魚來，吃之，魚不來，守之；隨緣隨意，聽天由命，不尋也不覓，不趕也不忙，以[守]來渡過一天，以致一生。
